Music Versus Publishing, Spotify’s Increasing Power

News publishers may want to emulate the music industry, but the only similarities that matter work in favor of the aggregators, not suppliers. Spotify is the perfect example.

Kanye West and Tidal, The Problem with Exclusivity, Pandora for Sale?

Kanye West says his new album will be available exclusively on Tidal, which doesn’t make sense for consumers or for West as either a businessman or an artist. Then, Pandora is yet another advertising-based business to feel the heat, and it’s exacerbated by backwards-looking labels

Craig Federighi on Swift, Taylor Swift’s 1989 on Apple Music

John Gruber’s interview with Craig Federighi is an excellent opportunity to explore exactly why Swift is such a big deal. Then, Taylor Swift has an exclusive with Apple Music for the video of her 1989 concert.

Adele Won’t Stream 25, Windowing Versus Piracy

Adele won’t stream her new album, and I think that makes a ton of sense. Monetizing IP might be hard, but I don’t think it’s necessarily hostile to your fans. Plus, what really ended piracy and what will be the biggest conflict in IP-related industries in the future.

Amazon’s Transformation, The Apple Music Backlash

Amazon turned a surprising profit: was it on purpose? More importantly, what does it say about the fundamental nature of Amazon as a company and as an investment? Plus, why the Apple Music backlash shouldn’t be a surprise, and a survey about meet-ups for this summer.

Apple Loses E-books Appeal; Apple Music and Antitrust; Producers, Consumers, and Apple

Apple’s E-book case finally came to it’s likely end a few week’s ago; it’s worth reviewing what was at stake in light of recent news that Apple Music could face a similar investigation. Then, if Apple Music will do for musicians what the App Store did for developers, is that a good thing? Plus, why sites are bad and no one is at fault.

Curation and Algorithms

More and more companies are announcing new products based on human curation, even as the most important content players — Google and Facebook — rely on algorithms. When does curation make sense, and when are algorithms better? And ultimately, who is responsible for both?

Taylor Swift v Apple

Eddy Cue is dancing again, but this time it’s figuratively and the tune is provided by Taylor Swift. Seventeen hours after Swift decried Apple’s plan to not compensate artists for songs played during the Apple Music demo period Apple changed course. What can be learned, and what does this say about Apple Music — and about Taylor Swift?