Apple Loses E-books Appeal; Apple Music and Antitrust; Producers, Consumers, and Apple

Apple’s E-book case finally came to it’s likely end a few week’s ago; it’s worth reviewing what was at stake in light of recent news that Apple Music could face a similar investigation. Then, if Apple Music will do for musicians what the App Store did for developers, is that a good thing? Plus, why sites are bad and no one is at fault.

Curation and Algorithms

More and more companies are announcing new products based on human curation, even as the most important content players — Google and Facebook — rely on algorithms. When does curation make sense, and when are algorithms better? And ultimately, who is responsible for both?

Taylor Swift v Apple

Eddy Cue is dancing again, but this time it’s figuratively and the tune is provided by Taylor Swift. Seventeen hours after Swift decried Apple’s plan to not compensate artists for songs played during the Apple Music demo period Apple changed course. What can be learned, and what does this say about Apple Music — and about Taylor Swift?

Apple Music and Apple’s Focus

Apple Music was a muddled mess, which raised the question of why it exists in the first place. Is it important anymore? More importantly, is Apple having trouble remembering how to focus?

Carriers to Implement Ad-Blocking?, Mad Men and Optimism, Spotify and Starbucks

Today’s update is a Media Monday on a Tuesday. First, a reported ad-blocking initiative from European carriers and a discussion on its moral, legal, and business aspects. Then, reasons to be both pessimistic and optimistic about the future of publishing. Finally, a discussion of Spotify’s deal with Starbucks, it’s symbolism, and the similarities and differences between the music and content industries.

Media Monday: Bill Simmons vs ESPN, Spotify and the Content Hierarchy, Periscope and Piracy

Today’s Daily Update is all about the media:

– ESPN will not renew Bill Simmons’ contract, which leads into a discussion of the value of individual brands, particular writers, and how that value can best be captured
– Not all content is created equally, which helps explain Spotify’s surprising decision to diversify
– Periscope presents a unique challenge to sports in particular

Tidal and the Future of Music

Predicting success and failure is about understanding who has leverage. In the case of music, the winners will be the labels, not the artist. But perhaps there is hope for tomorrow

Dear Zoë Keating: Tell YouTube to Take a Hike

Zoë Keating is an example of a new kind of content creator who can best maximize their revenue by going direct to consumers.

Differentiation and Value Capture in the Internet Age

The implication of the Smiling Curve is not only that aggregators have increased economic power, but that differentiated suppliers do as well; Omni Software is an example.